A collection of self-directed experiments investigating the poster as a medium for translating ideas, texts, and references into visual form. The series draws from disparate sources — including literature, language, cultural symbolism, and everyday
imagery — using them as starting points for
visual interpretation rather than fixed briefs.

Across the series, typography and image are
treated as expressive elements rather than purely informational ones. Composition, scale, colour, texture, and distortion are explored to create
different relationships between meaning and form.
The resulting posters move between the editorial,
the poetic, and the graphic, with each piece developing its own visual vocabulary.

The project became an opportunity to work without
a predetermined outcome, using the constraints of
the poster format to experiment with visual storytelling and develop a more personal approach
to graphic design.